BIONIC ANGEL (Germany, 2006)

With increasing frequency, man is playing God. Developments in genetics, robotics, computer science and nanotechnology intervene with our bodies, our minds, our identity and our offspring. All these sciences are directed toward improving mankind. Genetic and technological possibilities hold out the promise of a superior humanity, strikingly enough rooted as far back as in classical antiquity. The idealized image of man that was the norm there was rediscovered in the Renaissance as the perfect image of human control over body and mind. Michael Najjar unites this timeless ideal in a playful metamorphosis of old and new representations of the ideal human.