ENSEMBLES
In ENSEMBLES Denis Darzacq follows the movements of people in the city. He observes how they meet each other, and in this way investigates the social codes and the stereotypes about life on squares and in streets. Darzacq considers public space as a theatre, and its inhabitants as actors. He photographs the mise-en-scène like a voyeur – from a distance, and from above. In these surprising compositions, the play of approach and avoidance seems almost a dance.
