Bridge
In Bridge, Thomas Kuijpers repeatedly visits Monet’s famous garden in Normandy, using an early 1997 digital camera that stores images on floppy disks with low resolution and faded colors.
By photographing the same scenes over and over, Kuijpers discovers how repetition reveals subtle changes often missed by the casual observer. The camera’s technical limitations create images that feel detached from time, abstracted from reality. Bridge explores how memory, reproduction, and digital technology shape our perception of the world, naturally fitting within Machine Entanglements and its focus on technology’s relationship with nature.
